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Dek 

Unu 

A/Iagazlne 


Solo Exhibitions of Fine 
Photoart Portfolios 

February, 2018 


Featured Artist 

Saeed Mohamtnadzadeh 

"Lake Urmia" 


Cover [mage:Space Ship 
© Saeed Mohammadzadeh 













Interview - Saeed Mohammadzadeh 

Welcome, Saeed. Such beautifut images from such a disaster! 

We swam in the lake when we were kids. Because of the high salt 
content it was very safe-almost impossible to drown. About three 
years ago, I went back to the shores of the lake with friends 
and saw deeply frustrating scenes of the water crisis. The lake 
seemed to me like a man w'ho is dying but who cannot speak for 
himself or call for help. On that day I decided to take pictures of all 
the parts of the lake so that i could give the people of the country 
intact images of Lake Urmia as it disappears. My point of view is to 
take pictures to preserve the beauty of the lake and to protest 
against the damage. 

Several of your images are of very large boats aground, 
fustirrg away. The re must have been commercial boat traffic on the 
lake in the past. 

Yes, at one time those ships played an important role in the 
movement of passengers between the two provinces of East and 
West Azarbaijan. With the drying of the Lake Urmia, shipping has 
gradually decreased from the boom times of the lake's ports and 
Sharifkhane, the most important and profitable port, was closed. 
Today, several ferries, recreational boats, and sailboats rest in 
different parts of the lake. There w'as never fishing in the lake due to 
high salt level, but brine shrimp, algae, and food plants still support 
wildlife; although, if the water is gone, salt, heavy metals, and other 
pollution will threaten a 500 km radius from the lake. 

Your images might be called nat-geo perfect; carefully composed, in 
dieep focus, vibrant color, and that amazing light. How do you do it? 

I keep it simple. I use 35mm digital equipment, a Nikon D-S10 
camera body and Nikkor 14-24 mm f/2.8 wide-angle zoom. I work 
from a tripod and occasionally add a filter - ND1000. 

What about post-production or editing? Do you use any special 
software or digital tools? 

I keep it simple there as well. I stick to Adobe Camera Raw in 
Photoshop. 


Your work fits we El in the tradition of nature photography. Are there 
contemporary inspirations or influences on your work? 

I've alw'ays been inspired by Iranian photographers, particularly 
Behrouz Al Naddaf, who lives in France. I also appreciate Steve 
McCurry, an American, who has unique photographic projects. 

Talk about your life as an artist in Iran. Are you part of an arts 
Interest community? 

I am the Director of the Artist's Basij Photography Group and I 
am in charge of photography training, photo editing courses, and 
photography trips. And I am also the secretary of the Marand 
Photography Association, where v/e do various activities 
with other colleagues. I teach private courses, group courses, 
and w'orkshops for photography training and photo editing. 

Do you see any hope in the future for the lake? 

This ecosystem has been internationally registered by UNESCO 
as a protected area.The Iranian Environment Organization has 
identified most of the lake as a national park. 

The rescue of Lake Urmia was emphasized after the formation of 
the government of President Hassan Rouhani and the Urmia Lake 
Rescue Task Force was established under the management of the 
first vice president. Issues such as confronting the micro¬ 
organisms, the agricultural situation, and the pattern of cultivation 
in the area and the large number of wells have been investigated. 
Some experts believe that the restoration activities carried out in 
this period, along with popular support, have reduced the process 
of destruction of Lake Urmia and in some areas have improved 
the conditions. But, the condition of the lake remains critical. 

What are your plans for the upcoming year? 

I plan to photograph the islands in Lake Urmia which may require 
that I stay for several days on the islands. I will also travel to Iran's 
deserts, places that are lifeless but that are also full of delightful 
forms and shades of light. Please follow my work on Instagram 
@ saied_mo hammadzadeh 































































































































































Dek Unu Magazine 
1618 San Silvestro Drive 
Venice, Florida 34285 
USA 

Roger Leege, Publisher 

Steven Pugh, Editor-in-Chief 

Ashley M. Childers, Director of Marketing 

Lee Rogers, Art Director 

©Dek Unu Magazine, 2018 

Images ©Saeed Mohammedzadeh